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Initially published in black and white as an ongoing serial in the short-lived UK anthology Warrior, it morphed into a ten-issue limited series published by DC Comics. Subsequent collected editions have been typically published under DC’s more specialized imprint Vertigo. The story depicts a dystopian and post-apocalyptic near-future history version of the United Kingdom in the 1990s, preceded by a nuclear war in the 1980s which had devastated most of the rest of the world.
The fascist Norsefire party has exterminated its opponents in concentration camps and rules the country as a police state. The comics follow its title character and protagonist, V, an anarchist revolutionary dressed in a Guy Fawkes mask, as he begins an elaborate and theatrical revolutionist campaign to kill his former captors, bring down the fascist state and convince the people to abandon democracy in favour of anarchy, while inspiring a young woman, Evey Hammond, to be his protégé. The first episodes of V for Vendetta appeared in black-and-white between 1982 and 1985, in Warrior, a British anthology comic published by Quality Communications. Dez Skinn remarked, “If I’d have given each character their own title, the failures would have certainly outweighed the successes, with the uncompromising ‘V for Vendetta’ probably being an early casualty.
Moore and Lloyd to let them publish and complete the story. In 1988, DC Comics published a ten-issue series that reprinted the Warrior stories in colour, then continued the series to completion. The first new material appeared in issue No. 7, which included the unpublished episodes that would have appeared in Warrior No.
Steve Whitaker and Siobhan Dodds worked as colourists on the entire series. This section needs additional citations for verification. Please help improve this article by adding citations to reliable sources.
Unsourced material may be challenged and removed. David Lloyd’s paintings for V for Vendetta in Warrior first appeared in black and white. The DC Comics version published the artwork “colourised” in pastels.
19, highlighting the comic’s conflict between anarchist and fascist philosophies. In writing V for Vendetta, Moore drew upon an idea for a strip titled The Doll, which he had submitted in 1975 at the age of 22 to DC Thomson. In “Behind the Painted Smile”, Moore revealed that the idea was rejected as DC Thomson balked at the idea of a “transsexual terrorist”.